As an industry built on storytelling, the entertainment world walks a fine line between performance and reality. But when that line becomes the focus of a lawsuit, courts must determine where creative expression ends and legal liability begins. That concept …
Now That’s What I Call…Justice?: Life After Cox Communications, Inc. v. Sony Music Ent.
On March 25, 2026, as the pink cherry blossoms drifted down from their trees in the nation’s capital, so too did an industry-changing judgment from the Supreme Court of the United States. The question: “Can an internet service provider be …
Did Darrin Henson’s exclusive rights to his choreography just go “Bye Bye Bye”?
In January 2000, the release of NSYNC’s hit song “Bye Bye Bye” and its music video became a defining moment in pop culture. Today, more than twenty-five years later, the choreography associated with the song is at the center of …
Slot Machines in Disguise: Regulating Video Game “Loot Boxes” Under Gambling Law
In the year 2026, the right to ownership is slowly fading as corporations have seen profits surge by offering subscription-based products and services.[1] This is especially prominent in the gaming industry, as most video games today are no longer one-time …
Can Songwriters Survive the Suno Tsunami?
It’s no secret that I’m a musician – in fact, a songwriter/producer. I’ve invested late nights bringing my ideas to life, as well as thousands in technology (and Berklee tuition). It was worthwhile because I knew I would, in return, …
Women Winning in Sports: Leadership, Perspective, and Progress in Professional Athletics
On February 20, 2026, Loyola Law School’s Entertainment Law Review held its annual symposium, where various “power players” throughout the entertainment legal profession spoke on their current functions and expectations for their practice areas moving forward. The symposium’s first panel …
Behind the Brand Deals: The Legal Architecture Behind Being a Creator
On Friday, February 20, 2026, Loyola Law School’s Entertainment Law Review (“ELR”) hosted its annual symposium, with this year’s theme of “Power Players.” One of the panels, “Content Creator Counsel + Social Media Esquires,” focused on attorneys working at the …
The Marvellous Music Industry Mavens!
Picture it – 11:00 AM, Friday, February 20, 2026. It’s the penultimate panel at Power Players 2026. The four mavens arrive: Bill Colitre, Chief Operating Officer at Music Reports, Inc.; Revi-Ruth Enriquez Cohen, Vice President of Legal at Broadcast Music, …
Crisis in Entertainment? Creativity is the Solution.
On February 20, 2026, Loyola Law School hosted its annual Entertainment Law Review (“ELR”) Symposium. On the theme of “Power Players,” the day featured panels including “Women Winning in Sports,” “Content Creator Counsel + Social Media Esquires,” and “Music Industry …
SSENSE Survives: Founders Reclaim Control Amid Bankruptcy
More than just an online store, SSENSE is a Montreal-based luxury e-commerce retailer known for high fashion curation, emerging designers, and editorial-driven retail experiences for an international consumer base.[1] However, as a Canadian company whose primary market is the United …










